MORE CABARET EVENTS TONIGHT IN NEW YORK CITY FROM CABARET HOTLINE ONLINE
Here are today's cabaret events as listed on the home page of CABARET HOTLINE ONLINE! Every day in every way we're promoting Cabaret! Your event missing? Send press releases to stuhamstra@svhamstra.com to be included - listings are FREE!
NYC: ARTURO O'FARRILL AFRO LATIN JAZZ ORCHESTRA SUNDAYS
Grammy Award winning pianist, composer and educator Arturo O'Farrill brings his Afro Latin Jazz Orchestra to BIRDLAND (315 West 44th Street, NYC - 212-581-3080) on Sundays at 9:00 & 11:00pm. Called the leader of the "first family of Afro-Cuban Jazz", O'Farrill was born in Mexico and grew up in New York City. Son of the late, great composer Chico O'Farrill, Arturo was Educated at Manhattan School of Music, Brooklyn College Conservatory and the Aaron Copland School of Music at Queens College. He played piano in Carla Bley's Big Band from 1979 through 1983 and earned a reputation as a soloist in groups led by Dizzy Gillespie, Steve Turre, Freddy Cole, Lester Bowie, Wynton Marsalis and Harry Belafonte. The Afro Latin Jazz Orchestra is the resident large format ensemble of the nonprofit Afro Latin Jazz Alliance (ALJA) founded by Arturo O'Farrill in 2007 and dedicated to preserving the music and heritage of big band Latin jazz, supporting its performance for new audiences, and educating young people in the understanding and performance of this important cultural treasure. There is a $30 cover plus a $10 food/drink minimum.
NYC: STANLEY CLARKE & FRIENDS AT THE BLUE NOTE
Bassist Stanley Clarke will perform at THE BLUE NOTE(131 West 3rd Street, NYC - 212-475-8592) on Tuesday through Sunday, April 22nd through 27th with shows at 8:00 & 10:30 pm. He is joined on stage by Ruslan Sirota, piano and Lenny White, drums. Clarke was barely out of his teens when he exploded into the jazz world in 1971. Fresh out of the Philadelphia Academy of Music, he arrived in New York City and immediately landed jobs with famous bandleaders such as Horace Silver, Art Blakey, Dexter Gordon, Joe Henderson, Pharaoh Saunders, Gil Evans, Stan Getz and a budding young pianist-composer named Chick Corea. All of these musicians immediately recognized Clarke's ferocious dexterity and complete musicality on the acoustic bass. Not only was he an expert at crafting bass lines and functioning as a timekeeper - in keeping with his instrument's traditional role - but the young prodigy also possessed a sense of lyricism and melody distilled from his bass heroes Charles Mingus, Scott LaFaro and others, as well as non-bass players like John Coltrane. Clarke envisioned the bass as a viable, melodic solo instrument positioned at the front of the stage rather than in a background role, and he was uniquely qualified to take it there. There is a $30-$45 cover.
NYC: WESSELL "WARMDADDY" ANDERSON AT DIZZY'S
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