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Cabaret Hotline Online is an independent website with more than 7,400 pages of news, information and stories on cabaret, owned and maintained by Stu Hamstra. CABARET HOTLINE ONLINE is not affiliated with any club or organization. It is totally supported through advertising and membership donations. This blog is an extension of the website and newsletter.

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Thursday, May 1, 2014

CABARET TONIGHT IN CHICAGO & SAN FRANCISCO FROM CABARET HOTLINE ONLINE

CABARET TONIGHT IN CHICAGO & SAN FRANCISCO FROM CABARET HOTLINE ONLINE
Here are today's cabaret events as listed on the home page of CABARET HOTLINE ONLINE! Every day in every way we're promoting Cabaret! Your event missing? Send press releases to stuhamstra@svhamstra.com to be included - listings are FREE!

CHICAGO: LITTLE BLACK BOOK: BRING ON THE MEN

Head Over Heels, starring three of Chicago's favorite comedic ingenues: Anslee Burns, Casi Maggio and Eliza Morris during their night of cabaret hilarity as they tackle one of the world's biggest mysteries: MEN! Returning toDAVENPORT'S (1383 North Milwaukee Avenue, Chicago, IL - 773-278-1830) on Thursday May 1st at 8:00 pm, Little Black Book: Bring on the Men combines Broadway standards, chart topping hits and a splash of contemporary favorites as the ladies give a modern Andrews Sisters-styled glimpse into the good, the bad and the hilarious of their dating woes. Hear their stories through song as they celebrate their memories page by page of their Little Black Books. Call for cover/minimum information.

SAN FRANCISCO: ALAN PARSONS LIVE PROJECT AT YOSHI'S

An Evening of all the Greatest Hits from Alan Parsons, including "Eye in the Sky" from Legendary engineer of the most successful album of all time, 'Dark Side Of The Moon' will be presented atYOSHI'S (1330 Fillmore Street, San Francisco, CA - 415-655-5600) on Thursday, May 1st with shows at 8:00 & 10:00 pm. Alan Parsons had dabbled with live performance in his late teens as a folk/blues acoustic player and as a lead guitarist with a blues band in the late sixties. But as soon as he landed a job at the famous Abbey Road Studios in London at the age of 19, it became clear that the world of sound recording was to dominate his career. He was fortunate enough to work as assistant engineer on the last two albums by The Beatles and after he qualified as a fully-fledged recording engineer, he went on to work with Paul McCartney and The Hollies among many others. But it was his contribution as engineer on Pink Floyd's classic Dark Side OF The Moon that really got him world attention. That soon led to striking successes as a producer - notably with Pilot's Magic, John Miles' Highfly and Music and Steve Harley's (Come Up And See Me) Make Me Smile. He also produced the hugely successful Year Of The Cat album with Al Stewart and two albums with American progressive rock band Ambrosia. 2008 saw the reissue of all the Alan Parsons Project albums in expanded form, containing never-before-heard bonus material and a 2-CD compilation called The Essential Collection. One of the most familiar Project tracks is Sirius, perhaps best known as the Chicago Bulls theme and more recently as walk-on music for The New Orleans Saints at their triumphant Superbowl game in 2010. There is a $49 cover.

SAN FRANCISCO: JEREMY JORDAN AT FEINSTEIN'S

Star of stage and screen, Jeremy Jordan, will perform atFEINSTEIN'S AT THE NIKKO (222 Mason Street, San Francisco, CA - 866-663-1063) for four performances only - Thursday & Friday, May 1st & 2nd at 8:00 pm and Saturday & Sunday, May 3rd & 4th at 7:00 pm. Recounting iconic and deciding moments from his budding career, Jordan will perform the songs that have defined his swift rise to stardom. Selections include music from Broadway's Newsies, NBC's "Smash," and his upcoming film, "The Last 5 Years," along with many of his own personal favorites. Often hidden behind the guise of his characters, Jordan makes his solo concert debut exclusively at Feinstein's at the Nikko to tell us a bit of his own fascinating story. There is a $45-$60 cover plus a $20 food/drink minimum.

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