MORE CABARET TONIGHT IN NEW YORK CITY FROM CABARET HOTLINE ONLINE
Here are today's cabaret events as listed on the home page of CABARET HOTLINE ONLINE! Every day in every way we're promoting Cabaret! Your event missing? Send press releases to stuhamstra@svhamstra.com to be included - listings are FREE!
NYC: THE BIRDLAND BIG BAND DIRECTED BY TOMMY IGOE
Featuring the finest musicians in New York! The Birdland Big Band roars into action atBIRDLAND (315 West 44th Street, NYC - 212-581-3080) every Friday, playing the finest Jazz, Latin and Brazilian music from the world's best arrangers. After work or before a show, drinks or a great dinner, come hear one of the world's best drummers driving the hardest swinging band in New York. Experience why the BBB is fast becoming the must-see weekly jazz event in New York and kick off your weekend with what critics are calling "the best live music bargain in all of NYC!" There is a $30 cover plus a $10 food/drink minimum.
NYC: JAMES CARTER ORGAN TRIO AT BIRDLAND
The James Carter Organ Trio performs at BIRDLAND (315 West 44th Street, NYC - 212-581-3080) on Tuesday through Saturday, April 22nd through 26th with shows at 8:30 & 11:00 pm. By the time Detroit native saxophonist James Carter emerged on the New York jazz scene 1988 he was already a sensation. Now, Carter the mature artist is firmly established as one of the leading saxophonists of his generation, well versed in everything from striaght ahead to gypsy-jazz to funk. His new release, "Django Unchained," is his second to celebrate music popularized by gypsy guitar legend Django Reinhardt, but this time within the modern sounds of Carter's favored ensemble, the organ trio. There is a $40 cover plus a $10 food/drink minimum.
NYC: STANLEY CLARKE & FRIENDS AT THE BLUE NOTE
Bassist Stanley Clarke will perform at THE BLUE NOTE(131 West 3rd Street, NYC - 212-475-8592) on Tuesday through Sunday, April 22nd through 27th with shows at 8:00 & 10:30 pm. He is joined on stage by Ruslan Sirota, piano and Lenny White, drums. Clarke was barely out of his teens when he exploded into the jazz world in 1971. Fresh out of the Philadelphia Academy of Music, he arrived in New York City and immediately landed jobs with famous bandleaders such as Horace Silver, Art Blakey, Dexter Gordon, Joe Henderson, Pharaoh Saunders, Gil Evans, Stan Getz and a budding young pianist-composer named Chick Corea. All of these musicians immediately recognized Clarke's ferocious dexterity and complete musicality on the acoustic bass. Not only was he an expert at crafting bass lines and functioning as a timekeeper - in keeping with his instrument's traditional role - but the young prodigy also possessed a sense of lyricism and melody distilled from his bass heroes Charles Mingus, Scott LaFaro and others, as well as non-bass players like John Coltrane. Clarke envisioned the bass as a viable, melodic solo instrument positioned at the front of the stage rather than in a background role, and he was uniquely qualified to take it there. There is a $30-$45 cover.
NYC: WESSELL "WARMDADDY" ANDERSON AT DIZZY'S
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